Flemish Northern Renaissance Painter, 1576-1639 . was a Flanders-born Dutch baroque painter of the Golden Age. Like so many other artists, Savery's Anabaptist family fled North from the Spanish occupied Southern Netherlands when Roelant was about 4 years old and settled in Haarlem around 1585. He was taught painting by his older brother Jacob Savery (c.1565-1603) and Hans Bol. After his schooling, Savery traveled to Prague around 1604, where he became court painter of the Emperors Rudolf II (1552-1612) and Mathias (1557-1619), who had made their court a center of mannerist art. Between 1606-1608 he traveled to Tyrol to study plants. Gillis d'Hondecoeter became his pupil.[3] Before 1616 Savery moved back to Amsterdam, and lived in the Sint Antoniesbreestraat. In 1618 he settled in Utrecht, where he joined the artist's guild a year later. His nephew Hans would become his most important assistant. In 1621 Savery bought a large house on the Boterstraat in Utrecht. The house had a large garden with flowers and plants, where a number of fellow painters, like Adam Willaerts were frequent visitors. Savery had kept his house in Amsterdam, and had one child baptized in Nieuwe Kerk (Amsterdam).[4] Savery was friends with still life painters like Balthasar van der Ast and Ambrosius Bosschaert. In the 1620s he was one of the most successful painters in Utrecht, but later his life got troubled, perhaps because of heavy drinking. Though he would have pupils until the late 1630s  Related Paintings of Roelant Savery :. | Orpheus attacked by Bacchantes | Landscape with Wild Beasts | Landscapes with Wild Beasts | Garden of Eden | Landscape with Birds |
Related Artists:
HOGARTH, William
British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.
lim-johan
Johan Erik Olsson, född 1865, död 1944, svensk konstnär, autodidakt och naivist, bosatt i Kyan, Hälsingland, där han försörjde sig som dagsverkare, laggkärlstillverkare och fotograf. Hans släkt kom från Lima i Dalarna, därav namnet. Som ung vistades han 8 år på Ulleråkers mentalsjukhus i Uppsala. Fram till 1920-talet målade han natur, djur och andra motiv från hemtrakterna i fantasifull, närmast exotisk gestalt. Lim-Johan uppmärksammades inte under sin levnad, men finns i dag representerad på bland annat på Edsbyns museum i Hälsingland och på Moderna Museet i Stockholm. 1944 avled Lim-Johan på Ovanåkers ålderdomshem efter en tids sjukdom. Han är begravd på Ovanåkers kyrkogård, där det sedan 1994 står "LIM-JOHAN" på gravstenen. Hans konst upptäcktes av en tillfällighet av fil.dr. Philibert Humbla, länsintendent på Gävle museum, som bad Hans Lidman att försöka finna så många tavlor av Lim-Johan som möjligt. Lim-Johan räknas i dag bland de förnämsta naivisterna i världen.
Vladimir Lukich Borovikovsky
(Russian: July 24 O.S. 1757 - April 6 O.S. 1825) was a Ukrainian-born painter who dominated Russian portraiture at the turn of the 19th century. ladimir Borovikovsky was born dymyr Borovyk in Myrhorod (now Ukraine) on July 24, 1757. His father, Luka Borovyk was a Ukrainian Cossack and an amateur icon painter. According to the family tradition, all four of Borovyk's sons served in Myrhorod regiment, but Volodymyr retired early at the rank of poruchik and devoted his life to art mostly icon painting for local churches. Borovikovsky may have lived the remainder his life as an amateur painter in a provincial town if not for an unexpected event. His friend Vasyl Kapnist was preparing an accommodation for Empress Catherine II in Kremenchuk during her travel to newly conquered Crimea. Kapnist asked Borovikovsky to paint two allegoric paintings (Peter I of Russia and Catherine II as peasants sowing seeds and Catherine II as a Minerva) for her rooms. The paintings so pleased the Empress that she requested that the painter move to Saint Petersburg. Portrait of Maria Lopukhina, 1797After September 1788 Borovikovsky lived in Saint Petersburg where he changed his surname from the Cossack "Borovyk" to the more aristocratic-sounding "Borovikovsky". For his first ten years in Saint Petersburg, he lived in the house of the poet, architect, musician and art theorist, Prince Nikolay Lvov, whose ideas strongly influenced Borovikovsky's art. At 30-years-old, he was too old to attend Imperial Academy of Arts, so he took private lessons from Dmitry Levitzky and later from Austrian painter Johann Baptist Lampi.